Why the Best Rhythm in Life Is Neither Fast Nor Slow
When Zhang Yigong was young, he was an impatient man.
At the age of thirty, he became fascinated with the erhu. However, despite his enthusiasm, he struggled to master it. Determined to learn, he spent three months’ worth of wages on an old rosewood erhu and sought instruction from Master Liu, the most renowned erhu teacher in town.

On the very first lesson, Master Liu asked him to tune the strings.
Without hesitation, Zhang tightened the strings as much as he could. He thought to himself, “The tighter the strings, the greater the tension, and the brighter the sound. Surely that’s obvious.”
Master Liu said nothing and simply asked him to play A Beautiful Evening.
At the first stroke of the bow, the sound was as shrill as a rooster’s crow. At the second, the string snapped. The broken string lashed back across the back of his hand, leaving a bloody welt.
“Too tight,” Master Liu said as he handed him a new string.
The next lesson, Zhang remembered his mistake. Afraid of snapping another string, he loosened it excessively, so much so that his fingers nearly touched the neck of the instrument when he pressed down.
This time, the string did not break, but the sound was muffled, as though it were trapped beneath a blanket. All of the erhu’s charm had disappeared. Despite his efforts, the music remained weak and lifeless.
Master Liu smiled and took the instrument from him. As he adjusted the tuning pegs, he listened carefully tightening a little, drawing the bow once, tightening a little more, and drawing the bow again. Neither too tight nor too loose.
Finally, he handed the erhu back.
“Try again.”
Zhang drew the bow across the strings. This time, the sound was neither sharp nor dull. It was clear yet mellow, like an autumn breeze passing through a bamboo grove.
He was stunned.
“People have their temperaments, and strings have theirs,” Master Liu said. “If they’re too tight, they cannot bear you. If they’re too loose, you cannot command them. You must work with their nature and find that point that is just right.”
Later, Zhang approached his practice in the same way.
While learning Horse Racing, he was obsessed with speed, wishing he could produce a dozen notes in a single second. The result was a chaotic jumble of sounds. Master Liu told him to slow down, but he overcorrected, moving so slowly that he resembled an old ox ambling along.
After months of practice and reflection, he finally came to understand: the fast passages should be played with crisp precision, while the slow passages should unfold with ease and composure. Between speed and slowness, the flow of the music must never be broken.
The day he finally mastered Horse Racing, Zhang closed his eyes and felt as though he was no longer playing the erhu but riding a horse across an open grassland. Neither too fast nor too slow, every step fell perfectly in rhythm, and his heart seemed to resonate with the melody itself.
Many years later, Zhang Yigong became a teacher himself.
One day, a student asked him, “What is the secret to playing the erhu well?”
He pointed to the tuning pegs and replied:
“The key is tuning the strings properly. Too tight, and they break. Too loose, and they make no sound. Everything in life is the same. If you’re too hasty, things fall apart. If you’re too slow, opportunities are lost. Only when things are just right can they be accomplished.”
The wisdom expressed here echoes a teaching by Namo H.H. Dorje Chang Buddha III in Philosophical Sayings About Worldly Matters:
“Undue haste causes delay, and procrastination causes loss. With this point of view, one shall choose the Middle Way as a principle. When a violin is tuned too low, its strings produce disharmony, but when it’s tuned too high, the strings are likely to snap.”

Once we understand this principle, we realize that life is much like the strings of an instrument. Stretch them too tightly, and they will snap. Leave them too loose, and they will remain silent. Only by avoiding extremes—neither hurried nor sluggish, neither excessive nor deficient—can we produce our own harmonious melody.
Remember:
Speed is not the skill. Slowness is not the skill. The true skill lies in being just right.
May all who have the opportunity to read this article take these words to heart. In the days ahead, may we approach our work without haste, without impatience, without procrastination, and without laziness. May we each discover our own Middle Way.
And always remember:
The best rhythm in life is neither the fastest nor the slowest—it is simply the one that is just right.
Written by A Humble Buddhist Practitioner
Learn more about H.H. Dorje Chang Buddha III
Link: https://dharma-hhdorjechangbuddhaiii.org/dorje-chang-buddha-iii-best-rhythm-in-life/
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